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Zakharov N. V. The Problem of Staginess in the Dramatic Works of Shakespeare and Pushkin
The article was written within the framework of the project “A. S. Pushkin’s Dramatic Art: The Problem of Staginess” (supported by the Russian Foundation for the Humanities, grant No. 13-04-00346à).
(Moscow University for the Humanities)
Abstract ♦ The article continues our research into theatrical staginess of Pushkin’s dramaturgy and its connection with the creative heritage of Shakespeare. The author briefly describes some features of the Elizabethan theatre and its influence on subsequent evolution of European drama. Although Pushkin was not as experienced a playwright as Shakespeare, the Russian poet boldly experimented with dramatic forms and seems to have realized that dramatic interpretation of his works would require such means of expression and technical capacities which were not fully available in the theatre of his time. Pushkin’s drama and its staging anticipated the creation of a new theatre.
Theoretically and methodologically, the article is based on the comparative and the thesaurus approaches.
Keywords: staginess, dramatic art, Pushkin, Shakespeare, comparative studies, thesaurus approach.
Zakharov Nikolay Vladimirovich, Candidate of Philology, Ph.D., Director, Center for Theory and History of Culture, Institute of Fundamental and Applied Studies, Moscow University for the Humanities; Academic Secretary, Shakespeare Committee, Russian Academy of Sciences. Postal address: Bldg. 6, 5 Yunosti St., 111395 Moscow, Russian Federation. Tel.: +7 (499) 374-75-95. E-mail: nikoltine@yandex.ru
Citation: Zakharov, N. V. (2015) Problema stsenichnosti dramaturgii Shekspira i Pushkina [The problem of staginess in the dramatic works of Shakespeare and Pushkin]. Znanie. Ponimanie. Umenie, no. 1, pp. 359–384. DOI: 10.17805/zpu.2015.1.36 (In Russ.).
Submission date: 29.08.2014.
RUSSIAN VERSION
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